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“First of all there’s nothing wrong with local singers. Shiva Kumar noted in an article in the “Friday Review” supplement of The Hindu on March 30, but is there a paucity of singers here? In the recent hit Mungaru Maley, Mano Murthy (California) has a horde of singers from Bombay singing.
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A local voice records it in Bangalore for a piddling thousand rupees (which may or may not come), and the star-singer in Bombay then lends his voice for Rs 50,000 or more after the producer camps outside his house with buckets full of dough for a week. “Because the producers wanted it this way.” As simple as that. In Jayant Kaikini‘s Ramya Chaitra Kala, Udit Narayan sings ‘ Saiyya re saiyya re, sai…’ But what does it say of our filmdom-and, boy, do they miss any opportunity to talk of their love for Kannada-that they should treat their language, our language, so casually, with such disdain? Even Jogi had a fair few star “outsider” singers. Of course, Prem isn’t the first director to stuff his film with foreign playbacks, so we shouldn’t pile on the poor lad.
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Songs are played over and over and over again actresses are, in a manner of speaking, one-shot affairs.Īt least because they sung dozens of ditties in movie after Kannada movie, SPB and Janaki attained some level of mastery over nuances of pronunciation.
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But, there is a simple but crucial difference here: playback singers play around with our language actresses don’t. You might say that if we take this narrow route of Kannada-singers-for-Kannada-songs, we could be asking why we should have Punjabi heroines and so on. But that was then, when the stars and studios were located in Madras and having them sing was both easy and efficient.īut, now, in this day and age, when music has burst forth all around us? When the studios are located in our midst? When there are concerts, talent contests, antyaksharis dime-a-dozen and the stigma of singing cinema songs is gone if not vanishing? Janaki, a Malayalee, have hogged our chitrageetegalu. Of course, it is the producer’s prerogative: When audio rights comprise a large portion of the intake, it is safe to load an album with “star names” because it might fetch more than some Ningavva or Narasimharaju.Īnd of course, it’s an old tradition in Kannada cinema.įor decades, S.P. Krishnaprasad) and the music composer they employed, find it impossible to find seven Kannadigas to sing seven songs in a movie made by the son of the Mandya soil? In this vast land of five crore people, did the producers of PYBI ( P. And whether our sahithis and buddhijeevis like it or not, it’s not through Kuvempu, Bendre or Karanth that the Siddappa on the street encounters it most but through Guru Kiran, Hamsalekha and Kokila Sadhu. This is no exercise in frivolous parochialism or linguistic chauvinism, but a legitimate issue of language. But as the eye runs down the list, the question you are left asking is: where the f-asterisk*-asterisk*-asterisk* are Kannadiga singers? Thank god for small mercies, there is no Udit Narayan.
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Ashwath and Kalpana, and there are a couple of local sounding names like Supriya Acharya, Nityashri and Rajesh Krishna dotting the inlay card. Prem himself sings two numbers, one of them with C. However, the real reason I was pissed off was the star-studded cast of playback singers for the album, all waiting to murder Kannada in our cars and cassette decks. Patnaik, who, if you follow his Telugu fare, broadly conforms to the theory that if you have heard one, you have heard them all.
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They weren’t on the New Year day, even as Mr Rakshitha was sitting in a TV studio explaining the slight delay.īut when they did, a couple of days later, I was plain horrified. So, on Ugadi, when PYBI‘s audio was to be released, yours truly too went from shop to shop asking if the tapes had landed to see what Prem had served up. Guru Kiran‘s janapada-meets- jingalaka tunes were on most lips and shook a whole lot of hips this side of the Vindhyas. Jogi, of course, was a mammoth musical hit. As if to snook a cock-pardon the turn of phrase-as if to snook a cock at their lot, let me say this: there was something in Prem‘s hit film Jogi which left me waiting in anticipation for the audio of Preeti Yeke Bhoomi-mele Ide ( PYBI). KRISHNA PRASAD writes: It’s fashionable for a certain kind of Kannadiga to snigger at popular Kannada films.